Wu Lai Waterfall, Taipei Part I for Water H2O ThursdayAs a child, Wulai Waterfall felt like the far edge of the world—an unreachable ribbon of white silk hidden deep in Taipei’s southern mountains. I remember the long sequence of buses and public transports, each transfer pulling me farther from the city’s clamour and deeper into a valley shaped by time, mist, and the stories of the Atayal people who have lived with this land far longer than any traveller with a camera. By the time I stepped off the final bus, the air had changed: it grew quieter, greener, filled with the mineral scent of the Nanshi River and the hush of damp leaves. I carried far more than my small frame should have—an earnest child’s kit: a metal tripod almost taller than me, canisters of film rattling inside my bag, a couple of lenses that felt like treasure. My shoulders ached before I even started the climb, but the anticipation of capturing that fall of water kept me moving. In the end, the photographs were soft, underexposed, imperfect—ghostly impressions compared to what I can make now. But they held something I’ve since learned cannot be replicated: the unstudied sincerity of a young gaze. Wulai Waterfall itself is a geography of memory. Formed by the force of the Nanshi River spilling over a cliff of ancient volcanic rock, it plunges more than eighty metres in a sheer drop, gathering light as it falls. The river and its tributaries carved this valley over millennia, shaping the steep forests above and feeding the hot springs below—mineral waters long revered for healing and steam that rises like a gentle exhalation from the earth. The land here is restless in the quietest way: the mountains shift beneath dense subtropical foliage, springs break open new paths, and mists roll in and out with the quick breaths of changing weather. The Atayal once wove their paths through these mountains, reading the rivers like stories and living with the rhythm of the waterfall’s pulse. Even now, hints of their presence—woven textiles, carved symbols, the resonance of their language in place names—linger in the valley like soft echoes. When I return in memory, I see a child at the edge of the lookout platform, hands clumsy on the camera, breath held as the shutter clicks. I see the waterfall in its perpetual descent, stitching water to rock, sky to forest. And I understand now that the imperfect images I brought home were never failures; they were early attempts at belonging to a place that had already claimed me. Wulai Waterfall is still, and always, a reservoir of belonging—a place where memory gathers like mist at the foot of the fall and lifts again into light.
BUY WALL PRINTS and MOUNTS
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Keywords:
landscape,
photography,
roentare,
Taipei,
Taiwan,
travel,
water,
waterfall,
Wulai waterfalls
Comments
Your writing and your images are both poetic and compelling. I love reading about your early experiences with photography. I had similar experiences with the crude plastic instruments in my hand. I still have them, over and under exposed, odd compositions, fingers smudging up the photo. But I love them despite them being unremarkable.
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